Teatro itim established in 2005, have discovered the wonders of puppetry and using live people, unique concepts and manufacturing their own neon color puppet designs. They can freely move in the vertical as well as horizontal planes and can appear and vanish without any technical problems. The magic advantage to black theater is that the puppets are no longer bound to the stage floor. Due to the imperfection of the human eye, sees only the brilliantly lit puppets against a field of black. They hold the puppets directly in front of themselves into the light curtain. The manipulators, dressed in black velveteen, stand between the backdrop and the light curtain. Teatro itim uses the black light technique in a total dark area or venue to produce the unique neon colored puppets while movements are visible without seeing the puppeteers. Some of them use lights to spot on a performer to get the attention of the audience. Why dark? Usually, art performances needed bright lights, colorful lighting effects to illustrate scenarios and events. Teatro itim is a group that performs mostly in theaters and auditoriums which are closed and can produce a dark atmosphere. that promotes the art of puppetry and using the different art forms to show the magic and delightful art of puppetry. Puppetry is a complex medium sometimes consisting of live performance, sometimes contributing to stop frame puppet animation, and film where performances might be technically processed as motion capture, CGI or as virtual puppetry.Teatro itim is under Roppets edutainment production inc. In this case a puppeteer is a more complete theatre practitioner than is the case with other theatre forms, in which one person writes a play, another person directs it, and then actors perform the lines and gestures. Very often, though, the puppeteer assumes the joint roles of puppet-maker, director, designer, writer and performer. The relationship between the puppeteer and the puppet-maker is similar to that between an actor and a playwright, in cases where a puppet-maker designs a puppet for a puppeteer. In a shadow play only the shadows of the puppet are seen on a screen positioned between the puppets and the audience. Much work is produced without any speech at all with all the emphasis on movement. In traditional glove puppetry often one puppeteer will operate two puppets at a time out of a cast of several. Often, in theatre, a moveable mouth is used only for gestural expression, or speech might be produced by a non-moving mouth. However, there is much puppetry which does not use the moving mouth (which is a lip-sync innovation created originally for television where close-ups are popular). The puppeteer might speak in the role of the puppet's character, synchronising the movements of the puppet's mouth. In some instances, the persona of the puppeteer is also an important feature, as with ventriloquist's dummy performers, in which the puppeteer and the human figure-styled puppet appear onstage together, and in theatre shows like Avenue Q. The puppeteer's role is to manipulate the physical object in such a manner that the audience believes the object is imbued with life. Some puppet styles require two or more puppeteers to work together to create a single puppet character. A puppeteer can operate a puppet indirectly by the use of strings, rods, wires, electronics or directly by his or her own hands placed inside the puppet or holding it externally or any other part of the body- such as the legs. ![]() The puppeteer may be visible to or hidden from the audience. The puppet is often shaped like a human, animal, or legendary creature.
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